Daydream from 2013, Jul 22 – Aug 26, 2016
Past: 333 Broome St
Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Installation view, Daydream from 2013, Canada, New York, 2016
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Artworks
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Alissa McKendrick,
Untitled,
2016,
60 × 38 in (152.40 × 96.52 cm)
Milk paint, watercolor, India ink and Flashe on canvas
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Rose Marcus,
Met (Muse with hardware),
2016,
50 ½ × 74 ½ in (128.27 × 189.23 cm)
Inkjet print on acrylic with no white ink and aluminum frame
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Libby Rothfeld,
Option #1,
2016,
33 × 36 × 21 in (83.82 × 91.44 × 53.34 cm)
Tile, grout, cement, porcelain, potatoes, glassware, plastic basket, and rock
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Alissa McKendrick,
Untitled,
2016,
35 × 71 ½ in (88.90 × 181.61 cm)
Flashe paint and oil paint on panel
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Olivia Erlanger,
Raft of Burnt Ruby Copal,
2016,
56 × 38 × 5 in (142.24 × 96.52 × 12.70 cm)
Ruby copal in resin spills, bee pollen, pleated silk prints, saffron, cast shea butter, puzzle house, pleated vinyl, wool, HDU foam, foam core, and steel
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Olivia Erlanger,
Raft for Lotophagi,
2016,
53 ½ × 36 × 5 in (135.89 × 91.44 × 12.70 cm)
Abandoned honeycomb, bee, honey opera glove, plastic bag, lotus leaves, cast shea butter, puzzle house, resin, cardboard, wool, HDU foam, pleated vinyl, foam core, steel
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Marlie Mul,
Puddle (Dodge),
2014,
52 ¾ × 32 ¼ in (133.99 × 81.92 cm)
Sand, stones, resin, paper, and match
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Marlie Mul,
Puddle (Gritty),
2014,
57 ⅛ × 36 ¼ in (145.10 × 92.08 cm)
Sand, stones, resin, and match
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Rose Marcus,
Met (Flight with II),
2016,
74 ½ × 50 ½ in (189.23 × 128.27 cm)
Inkjet print on acrylic with no white ink and aluminum frame
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Libby Rothfeld,
Springtime,
2016,
19 ½ × 26 ¼ in (49.53 × 66.68 cm)
Image printed on tile, grout, cement
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Sam Anderson,
The Loved Ones,
2015,
Dimensions variable
Leather, dried sunflower, laminate, wire, frog skeleton
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Anna Glantz,
Waiting for Paul Revere,
2016,
56 × 66 in (142.24 × 167.64 cm)
Oil on canvas
Press Release
Regarding human presence and obsolescence.
A real figure A. B. C.
And when you are on TV make sure to waive to the audience.
Sometimes when I’m walking to the store I notice a familiar odor and can’t help to stop.
Fantastical, majestic, ominous, cavernous, precocious…Mannequins and drumming with your fingertips.
Hand sanitizers with aloe. Dreams with a breeze. Chicken and waffles.
Where were you when you were 22?
Daydreaming is a detachment from reality–it is a break into our subconscious through fantasy from the mundane and the everyday/here and now. The exhibition is about the fantastical and other-worldly with a little whimsy.
Andrei Tarkovsky’s Solaris is a 1972 Russian sci-fi film based on the novel by Stanislew Lem that centers around psychologist Kris Kelvin who travels to the space station on the ocean planet Solaris. He journeys to Solaris to evaluate three scientists’ condition as they are sending confusing messages back to Earth.
While inside his locked quarters alone, Kelvin wakes up from a restless sleep and encounters his wife, Hari, even though she died ten years ago. The crew determines that the planet is a sentient being that can manifest past or present loved ones and people into reality. Hari re-appears and later becomes more self-aware as an apparition or a projection from Kelvin’s memory. Kelvin with the remaining scientists, Snaut and Sartorius, decide to send Kelvin’s brainwaves to Solaris in order to stop the apparitions or visitors from returning.
The first and last scene of the film are near similar as Kelvin is at his father’s house near the lake. It is revealed that Kelvin is on an island in the middle of the ocean on Solaris–reconnecting with his memories in real time.
Press
Nicholas Chittenden Morgan "Daydream from 2013." Artforum August 12, 2016
"9 Art Events to Attend in New York City This Week." ArtNews July 17, 2016